Bianca Langridge

Protrakt is inspired by city life and sport. It has been designed as a variable font and is best to use as a variable font to get the full enjoyment of using this typeface. However, if you do not have access to variable technology through your software, there are nine widths in the font family so this will give you just as much access to the creativity this font can provide. By using the variable sliders in your design software you have a range of weight and width options. Play around with individual letters to give your type a unique look. Included in this family are alternate characters to add even more styling options. *Unfortunately there is no option to test out the variable capabilities on MyFonts as yet. Please have a look at the poster images to get a great idea of how I have used this font. By using the variable version you only need to install one font file instead of the entire family, this saves space and time to manually select individual styles.

Rolantha is script and handwritten font. This font is perfect for your all design project such as typography design, lettering design, logo type, book cover, poster, flyer, calligraphy, etc. Features: ~UPPERCASE ~lowercase ~Numeral & Puncuation ~Multilingual Accent

I keep experimenting with handwritten fonts, shapes and lines. I want the font to set the tone, the atmosphere, and look like an inscription made in a hurry, and is also easy to read. Joyce combines all these qualities. Simple and clear, looks at ease. It is perfect for signatures or design, where you do not need a strict style. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Ligatures Check out my blog: https://www.instagram.com/zloillev https://www.pinterest.com/dmitriychirkov7 Enjoy

Hi! Presenting a cute pin-up style font named Skater Girl. It has a modern and vintage look at the same time. Also few ligatures and alternate glyphs are available in this typeface.

Gennie is a fun handwritten font with many features that will perfectly fit in winter and Christmas projects . It can be used for various purposes such as: t-shirts, posters, cards, Christmas and holiday invitations, wedding invites and stationery, logos, etc. Features : - Uppercase & Lowercase - Numerals - Punctuations (OpenType Standard) - Accents (Multilingual characters) - Ligatures and Alternative Style Stylistic Set - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word. don't wait anymore, put it in your shopping basket :) and follow me, because there will be many promos!

Bentonite Script is a hand-brushed modern calligraphy script font, created with both pen & brush. It includes a dancing baseline with separate swashes that can be applied to the beginning and ends of all lowercase. Bentonite Script includes several ligatures, alternates and international support for most western languages. Perfect for Branding, Logos, Greeting Cards, Wedding Stationery and so much more! To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Bentonite Script PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications.

Useful links: History of TT Interfaces creation TT Interfaces PDF Type Specimen TT Interfaces graphic presentation at Behance Based on the positive experience in creating typefaces such as TT Norms Pro and TT Commons, we once came up with the ambitious idea of trying to create the perfect typeface to work in modern interfaces on most known mobile and web platforms. We took this project very seriously and, before proceeding with the design itself, we carried out rather extensive research work. You can learn the detailed history of the typeface creation in the article by the link, and here we will tell you what we got in the end. TT Interfaces consists of 22 styles: 18 styles in the basic family, 4 monospaced fonts. The main visual features of TT Interfaces include the open aperture of the characters, the uniform distribution of white and black, as well as excellent readability. The general neutrality of the font pattern is not without elegance, and all the details of the typeface are made with mathematical precision and love. In addition, TT Interfaces has the most advanced manual TrueType hinting. The basic TT Interfaces family consists of 18 styles (9 weights and 9 obliques), in each of which there are more than 930+ glyphs. In the typeface, you can find old-style figures, stylistic alternates, mathematical signs, as well as 100 universal icons divided into five thematic groups: basic actions, states, sections of the site, documents and folders, mobile interface. TT Interfaces supports more than 180 languages based on extended Latin and Cyrillic, including Bulgarian localization TT Interfaces Mono is a complementary family of 4 styles (2 upright and 2 obliques), each of which consists of 740+ glyphs. We intentionally changed the sign composition of the Mono subfamily—we added special characters to the encoding and removed everything that was not needed (for example, ligatures). Although Mono borrowed the basic style-forming aspects of the main family, for example, the openness of the aperture or the degree of rounding of the circles, but due to the monospace, it adds some of his own character. First of all, this difference can be found in the changed design of signs, in noticeable visual compensators, as well as in italics, whose design is made in a more humanist way.