Bianca Langridge

Aquate Script is a professional brush script typeface. It displays a fast but confident movement, with bold curves contrasting sharp corners. With it's multiple alternate alphabets, it is greatly adaptable and really gives a logo or headline the impression of being a custom, hand-painted type. The font supports all European and Latin based languages, as well as all characters you'll ever need. In additional to stylistic and contextual alternates, the typeface contains ligatures and a full set of swash glyphs.

North Blue is a new, stylish and quirky script. It was created to look as close to a readable script as possible, and includes great swash characters too.

Play it cool with your designs - especially if you do something handcrafted! This font has 4 different versions of each letter - enough to make it look random and handcrafted!

PRALINER – New elegant font family with a lot of stylish alternates and ligatures. Really good looked for branding projects, packaging, headers, posters and signs. Playful and Stylish. Uppercase and lowercase initials. You can use it as for modern style typography and also it looks good in a vintage style projects. Especially when you combine strokes with shadow. A lot of alternates and ligatures give you a many unique variations for the same words. Comes with three widths with stroke styles.

This is a version of Comic Code whose OpenType ligatures are ON by default. Comic Code is a monospaced adaptation of the most infamous yet most popular casual font. Designed specifically for programming, which is a corner of typography that involves intensive typing that feels more akin to handwriting than typesetting, this typeface took inspirations from friendly characteristics and low-resolution legibility of Comic Sans. It is an unapologetic admittance of Comic Sans’s positives, and a literal manifestation of “code like nobody’s watching“. Comic Code only takes inspiration from Comic Sans and was drawn entirely from scratch, in case you are wondering.

I started to work at the Bernhard Studio in 1952 to 1959 in New York. I helped with some type designs and many other projects, this two tiered signature was added on all of Bernhard’s art that was produced in the past and in his later years. In the 50’s I thought Bernhard’s Gothic face was quite a bit outdated but as you may know it has become one of todays most used faces. His signature is based on his Bernhard Gothic Font. With todays computer technology I have digitized the caps and added lower case glyphs with lower ascenders and other slight changes.

Schattig was designed by Alexis Carrillo, published by Aisiv. Schattig is ideal for titles, booklets, and old photograph-style designs, the font contains Basic Latin and Latin-1 (ISO 8859-1) characters, along with 53 different ligatures for more realism to your titles and designs.