Bianca Langridge

Rech Munchase is a handmade script font. Rech Munchase is perfect for logotypes, posters, apparel designs, labels, website headers and much more!

Winfield Script is a classic handwritten typeface. Insprired by mid-century advertisements and logotypes, this font gives any project a happy vibe. The typeface was drawn and created by Måns Grebäck in 2019. It contains a wide range of characters and supports a majority of Latin-based languages. Winfield Script also contain multiple stylistic alternate letters and ligatures.

Ithalia Script - a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more design concept! The alternative characters were divided into several OpenType features such as Swash, Stylistic Sets, Stylistic Alternates, and Ligature. The OpenType features can be accessed by using OpenType savvy programs such as Adobe Illustrator, Adobe Photoshop , Corel Draw X version, And Microsoft Word. And this Font has given PUA code (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Passenger Serif is a Clarendon-style font family designed for use in long passages of text intended for immersive reading. It takes the idea of mid-nineteenth century English Clarendon types – like vertical axes of stress, lots of ball terminals, and chunky bracketed-serifs – and channels them into a face that is very legible in small sizes. It is comfortable to read, too. Passenger Serif is ready for use in editorial design, and for body text in novels and other books, too. The family includes seven weights, ranging in style from Extralight through Extrabold. Each weight has both an upright font and an italic on offer. The fonts’ default numerals are proportionally-spaced lining figures. Via the OpenType features, there are also oldstyle figures and tabular figures available, as well as a full range of numerators and denominators for typesetting fractions. The ascenders of the lowercase letters rise up above the tops of the capitals. In the upright fonts, the ‘a’ and the ‘g’ are double-storied. In the italics, they are single-storied. Each font includes 13 f-ligatures. Passenger Serif has a companion typeface available for larger-sized applications: Passenger Serif Display. Passenger Serif and Passenger Serif Display can be used together to powerful effect in magazine layouts, or in exhibition design graphics. The Passenger Serif families were designed by Diana Ovezea and Samo Ačko.

There is no such thing as a talking cat, however, you can often find these in adventures, movies and other stories. At least, now you can have your own font called "Talking Cat", and perhaps even your cat will like it! Mine did! Talking Cat works very well with packaging, toys, posters, postcards or perhaps even flyers - the smoothly rounded edges makes sure your design keeps that handmade look!

Midnight Sun, despite its rough look, was carefully painted. I used a very cheap brush with stuck-together bristles to get that ‘eroded’ look. Midnight Sun comes with double letter ligatures and some really cool stylistic alternates as well.

Varese is a geometric and modular typeface inspired by early 1900s Art Deco posters. Its heavy weight is excellent for headlines, display, or large body text. The lowercase is similar to the uppercase, yet many of the lowercase letters have interior spaces and several have some variations on the form (see H/h, E/e, F/f, I/i, J/j, L/l, N/n, T/t). The lowercase also has two alternate glyph sets that are half size and align with cap height. One of the alternate glyph sets has an underline and the other set does not.