Bianca Langridge

It’s here! Lumbering down the grassy slope towards us, the lovable round sans serif of KNICKNACK. It’s warm, it’s smooth, it’s round and it’s fuzzy.

It’s perfect for display use, print, posters, branding, packaging or kids friendly apps and web!

KNICKNACK is a typeface that will put a smile on your face. It features 2 styles, regular and fuzzy and comes in at least 5 weights. At least?! Yes, at least. If you use the variable font file of KNICKNACK you can control the weight of the font with a slider. Works in Adobe Photoshop CC 2018 and Adobe Illustrator CC 2018.

No, I don’t need therapy - at least, not that I’m aware of. I needed a bold and rough name for this bold and rough font.

Rough Therapy is a strong display font. Comes in a clean and a dirty version, so take your pick!

Boomshell Brush is very interesting and also provides some ligatures and extra swashes! To complete your designs, use the companion font Boomshell Sans to create harmony. Perfect for projects brands, logos, product packaging, posters, invitations, greeting cards, news, blogs, and more!

The Sync font family is a layered system for chromatic typesetting. With its stylistic variety it enables a wide range of eye-catching combinations with colors and patterns.

The very first sketches were inspired by some hand-painted characters on a weathered beach sign at the French Côte d’Argent and currently the font family comes with a total of 28 single fonts.

The primary font »Sync Base« is a powerful, condensed Sans Serif. Sharp cut edges, narrow wedge-shaped counters and low ascenders and descenders make the compact character of the typeface.

In perfect sync with the primary font, the family includes the retro styles Lines, Engravings, Stripes and Shadows and the texture styles Invisible and Jungle. Each one of them with multiple fonts.

As all Sync fonts have the same metrics, they can easily be layered in different colors to create the desired effects by using graphic applications that allow utilizing layers.

Sync fonts work especially well in larger sizes and were designed for large display purposes, covers, branding, packaging, headlines, editorials, advertising, posters and the like.

Check the gallery for examples. By the way, the graphics in some of the visuals come from the Linotype »Picture Yourself™« collection designed by Karin Huschka and Peter Huschka.

Sync & enjoy!

Telecom is a new, experimental typeface designed by Jan Estrada-Osmycki.
Inspired by space-age, science-fiction and the work of Wim Crouwel.
It’s design combines mechanical, modular approach to type and elegance of letterforms. It’s super-high contrast, thin hairlines and close attention to detail makes it a font to be set in greater sizes. Comes in four weights.

Revelstoke is a family of five sans serif fonts designed with a vintage print look in mind. Rounded edges and imperfections were added to the characters to give that old school printing vibe. For those looking to take things one step further with some texture, we’ve added in grunge versions as well. Revelstoke is extremely versatile on its own. The font family also works great as a secondary font to go along with existing logos and branding.

Sagitarius is a unique, elegant and modern handwriting font. that looks like a signature, this font is intentionally made with unique and alternating ligatures. This style of hand display makes it perfect for use in all your design projects whether it’s logo, label, packaging design, blog title, poster, wedding designs, social media posts, Instagram design, etc.

Multiple Language Support:

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I hope you enjoy this font. If you have questions, don't hesitate to give me a message :)

Thank you for your purchase!