Bianca Langridge

Bricbrac is a layered family that allows different combinations. The typeface is full-cap, with a squared style, the font doesn’t contains any curve. The different styles gives 3D effect to the letters and the typeface user can play with the Lines and Pattern effect.

Bricabrac consists in a 9 styles family. This is a monoline typeface and the variety of combinations and style make it perfect for magazine and poster design.

The fonts have an extended characters set to support Central, Eastern and Western European languages.

Notice: The spacing is optimized for the version with volume, therefore the fonts should always be used with the 3d volume effect.

Majora is a slab serif typeface which derives its name from a Portuguese historical toy manufacturer. The font comes in 8 styles, ranging from a delicate Thin to a robust Black, with matching italics and an upright version of stencil fonts, resulting in a total of 24 weights.

Majora is well-suited to a wide range of design projects which include packaging, editorial design, screen use, etc. Its humanistic features and moderate contrast between thick and thin strokes make it also suitable for long block of texts while having a high degree of legibility. The font includes a set of alternate glyphs which help give your compositions a different and unique look.

The Stencil version was specially designed for use in signage, packaging, titles and headings.

Majora contains a set of 520 characters that support over 200 Latin-based languages.

Commercial Script No2 is a bold weight of a moderately flourished script published by SoftMaker.

Disco is a disco-era typeface published by SoftMaker.

This is a font imitating the stage of outline construction of letters using drawing tools - compass and ruler. It is very geometric (with auxiliary lines, axes, centers of circles, tangents, and conjugation of circles), although the circles are somewhat compressed from four sides. The second style, which plays the role of Bold style, is a hatched version of the Regular style.
The font has very small elements that appear in a sufficiently large size, so it is better to use it for large compositions, in particular, advertisements, posters, large headings, etc.
The family is named “Khachatur” after the name of the father of designer Ruben Tarumian — architect Khachatur Hakobyan, his first master.

The font reproduces the characteristic detail of some Armenian fonts of the past centuries - the disruption of thin elements. At the same time, the font combines the plasticity of lapidary inscriptions and modern aesthetics.
The name Vard (Rose) is highlights an elegance of style.
Applicable for headlines, drop caps, advertising compositions, etc.

Vidocq is a single weight typeface designed for use in headlines and titles, inspired by the woodcut styles of the 19th century. Its rounded forms and dark stroke translate into a bold yet friendly appearance coupled with a narrow proportion that let’s it set well in condensed settings. Thanks to an extended character set and wide range of Opentype features that includes arrows and fleurons, Vidocq was created to allow designers to play with various styles while composing layouts.