Bianca Langridge

André Simard designed Bronsimard, a font inspired by Henri-Paul Bronsard’s Kébek 101, designed in 1972 and used to create the logo and headlines of the daily newspaper Le Jour, founded in 1978. After all these years, Bronsard contacted his former student to propose a creative venture focused on drawing a variant of Kébek 101 from ideas contained in his research efforts. Simard adapted Kébek 101 to create Bronsimard, a fine blend of character and harmony which we hope will give free rein to your creativity. The final result is a vertically elongated font with very sharp contrasts, somewhat reminiscent of Bodoni and Didot.

Please welcome a new contemporary font family: an adventurous pair of ultra condensed sans serif and a monoline signature script. Both fonts are charged with ligatures and swashes and will make your design journey even more enjoyable!
The ultra condensed sans serif comes in three weights while the script font - in two. You can mix-n-match all five to enhance your design and to invigorate your ideas.
The font family is perfect for all kind of designs: quotes, t-shirt, branding, social media, magazines, cards, packaging etc.
All fonts are fully unicode mapped and can be used in any software - either using OpenType panel of the application in use or your OS default Font management software - Character Map or FontBook - by copy-pasting the glyphs you need.
Enjoy!

Passiflora is a unicase display font with elegant shapes and swashes, imitating the handraw in a friendly and llamative aesthetic. This font inspires the facade inscriptions and rotulations of the buildings in the XX century of Santiago, as the fresh features of rounded brushes.
Passiflora counts with 7 variants: Regular, Shadows, Outline, and Decorative version. Every variable contains more than 800 glyphs and a wide support of languages from Occidental, Central and Oriental Europe and Vietnamitese.
This font is perfect to decorate book covers, showcases, packagings, posters, titles , among other uses.
Passiflora counts with OpenType Alternates, Swashes, Titling alternatives, Stylistic sets, Discretionary Ligatures, Ornament sets and modern numbers, denominators and numerators, customized and become unique, allowing dinamism to the design.

Kisba is a brand new serif typeface that operates to arouse attention. As contrasts are known to attract each other, Kisba combines sharp, triangular serifs and spiky outgoing strokes with round and soft ball terminals. It’s a typeface driven by visual contrast.

Kisba’s extraordinary design of thin and monolinear diacritics, selected punctuation marks and symbols creates a modern and elegant atmosphere. With extravagant letters like the f, k and x, Kisba is primarily labeled as a typeface for display usage or shorter texts, that catches the reader’s eyes.

The typeface exists in seven weights from Thin to Black offering plenty of possibilities to set texts and headlines. With about 600 Characters per weight, Kisba contains Open Type Features like an extended set of ligatures and language support, case sensitive forms, different sets of figures and arrows.

As a perfect companion to Kisba, my geometric Sans Serif Flink owns the same cap height. That way, you can set uppercase letters next to each other very easily.

Ding extra, is an extended version of Ding where you can find layers, shadows, lines, dingbats, it is a very versatile font, it contains Cyrillic alphabet, as well as many ligatures.

Introducing Hunsleitta! It is a typeface easy to read and so comfortable to wear. Hunsleitta is perfect for branding projects, homeware designs, and product packaging. You can use it in a logo, badge, insignia, packaging, headline, poster, t-shirt/apparel, greeting card, business card, and wedding invitation, or simply as a stylish text overlay to any background image and more. The flowing characters are ideal to make an attractive messages to your taste.

Ligatures are also available for several lowercase characters (double-letters which flow more naturally). These are only accessible via software with OpenType capability or a glyphs panel, e.g. Photoshop/Illustrator.

That’s it! I really hope you enjoy it - please do let me know what you think, feedback is always hugely welcomed and appreciated. More importantly, please don't hesitate to drop me a message if you have any issues or queries.

Now enough of reading this, get out there and make it happen :)

Joane Stencil™ is Joane’s fearless sequel. Mixes the elegancy of French didones, calligraphic endings, glyphic serifs and the split of the Stencil is treated very carefully. Thus its features convey a warm unique style.
Moreover, it has powerful OpenType features for each style, including stylistic sets, extended language
support, beautiful ligatures, contextual alternates, lining figures, oldstyle figures, fractions, and many more.
Joane Stencil is perfectly suited for magazines headlines, branding, advertising, labels, web and packaging.