Bianca Langridge

aymont is a sharp typeface family drawn and created by Måns Grebäck during 2018.
It is brave and experimental, yet confident.

The family consists of ten high-quality fonts, five different weights and each weight as italic.
The weights are Jaymont Thin, Jaymont Light, Jaymont Medium, Jaymont Bold and Jaymont Black, each with an equally strong character.

The fonts support all European Latin-based languages, and contain ligatures and a wide range of useful symbols.

Hefring Slab is a geometric Slab Serif type family. Based on simple geometry, it has minimal stroke contrast, solid serif presence and a uniform thickness of strokes. The family consists of 20 fonts: 5 weights in 4 widths, each in Roman and Italic. Inspired by the work of the renowned Margaret Vivienne Calvert, Hefring Slab is robust, clear and functional. Opentype features include alternative characters, arrows, tabular figures, ligatures and fractions.

JH Lina is an Arabic Naskh typeface, including four weights; it is typical for long running text, headlines, branding , news letters, magazines, signage and electronic publishings ...
The diacritic positioning is fine tuned per the publishers requirements.

JH Roy is an Arabic handwriting Naskh typeface, including two weights; it is typical for long running text, headlines, branding & signage...
The diacritic positioning is fine tuned per the publishers requirements.

JH Farid font is designed based on Naskh calligraphy; it is typical for book covers including spine, headlines, short text paragraphs, poetry…..

Malden Sans is a mischievous grotesque sans serif with charming details that gives designers a solid typographic voice. It was created by Michele Patanè with regular and condensed widths, as a utilitarian typeface family for print and digital environments.

It was originally designed as part of a type system for cinema magazines, and embodies the devil-may care attitude of the silver screen. Designer Michele Patanè looked back to an earlier era of typography to create the typeface, embracing unusual details, rather than ironing them out.

“There is a very naive way of using typography in the 30s and 40s, something not as clean as how it’s used in the late 50s and 60s when everything passed through a rationalisation of the typographic palette,” he explains. “In film magazines you can still see a bit of roughness, and I like that.”

This is a design that’s desperate to be used in editorial environments, and has been created to stand up to lower quality paper. It would be equally at home on posters, packaging, and even in digital environments where designers are looking for something more expressive than another geometric sans serif.

Malden Sans includes a Normal and Condensed range, with 7 weights in the normal and 6 in the Condensed, both including italics.

Voguer is an elegant high-contrast serif font inspired by the fashion glossy magazines typography.
It perfectly represents modern and vintage esthetics. The font includes special uppercase letters,
alternate characters and beautiful ligatures.
You may combine uppercase and smallcase in the text body, as you want.
The font is perfect for wedding elegant invitation cards, beauty and fashion package design.

Thank you and have a great day!