Bianca Langridge

Metafora Sans is a contemporary display family with multifunctional workhorse designed to work best in any printed and on screen contexts, including logo design, brand identities, websites, packaging, poster and headline. The Typeface come in 13 weights, with Upright and Oblique each, for a total of 26 styles.

Warrior Script is a calligraphy script font that comes with beautiful alternative characters. a mixture of copper calligraphy with hand-lettered style. Designed to bring style elegance. Warrior Script attracts such a subtle, clean, feminine, sensual, glamorous, simple and very readable typeface. The classic style is perfect to apply in various formal forms such as invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels.

Warrior Script has 419 glyphs. including multiple language support. With OpenType features with stylish alternatives, ligatures and characters, allowing you to mix and match pairs of letters to fit your design, as well as a touch of ornament to make this font look elegant.

To enable OpenType Stylistic alternates, you need a program that supports OpenType features like Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. (Windows), Font Book (Mac) or software programs such as PopChar (for Windows and Mac).

How to access all the alternate characters using Adobe Illustrator:
https://www.youtube.com/watch?v=XzwjMkbB-wQ

How to use the stylistic font set in Microsoft Word 2010 or later:
https://www.youtube.com/watch?v=NVJlZQ3EZU0

There are additional ways to access alternatives / swashes, using Character Map (Windows), Font Nexus (Windows) Font Book (Mac) or software programs like PopChar (for Windows and Mac)

How to access all the alternate characters, using Windows Character Map with Photoshop:
https://www.youtube.com/watch?v=Go9vacoYmBw

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This is our newest product, inspired by retro style. We call this font “Retro Thunders”.
Retro Thunders is perfect for any retro project, poster, logo, label, clothing, music album cover, and many others. Comes with solid and extrude style, you can use this font easily, and make save a lot of your time in creating.

Retro Thunders also contains:
- Opentype Features : swash, ligatures, stylistic alternate, ss01, ss02 , ss03
- 8 end swashes
- Basic Latin Language Support (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸÆßÞþ )

Cardust is a bold display font, this font looks funny, cute, kids, cartoon, playful, catchy and easy to use.

Cardust Font is the best choice for your professional design projects, including : logo, poster design, t-shirt, headline, flyer, cd cover album, quotes, business card, branding, magazines, social media, advertisements, product designs, or something that need playful or cartoon looks.

Highlights:
- Fonts are provided in OTF formats.
- Standard license - create as use as many of these fonts as you'd like on your own personal projects as well as any commercial ones for clients.
- No special software is required, The fonts can be opened and used in almost any program/software that can read standard fonts - even MS Word.

What’s included:
- Cardust OTF

Welcome to Nootdorp, a Sans Serif!

Inspired by modern sans serifs, the powerful typeface Nootdorp is born. The name comes from a place in Germany: Nootdorp. This font is versatile for branding, labels, packaging, logotypes, websites, headers, headlines, magazines, and more. Nootdorp comes with 3 styles: Regular, Italic, and Outline. So, very good for pairing the fonts!

Features and advantages:

- Simple Installation
- Opentype Ligatures
- PUA Encoded
- Support for MAC and PC. Also for Adobe Illustrator, Corel Draw, Indesign or Photoshop
- 23 Language Support: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Norwegian Polish Portuguese Slovak Slovenian Spanisch Swedish Zulu

Quentin Schmerber’s Temeraire serif font family was not designed to be invisible. It is a typographic exploration meant to be seen — with its beauty, one could even say beheld. While some fonts aim to be as easily ignored as possible, Temeraire is offered as a gift to wide-eyed readers with its anything-but-boring character and its conspicuous inconsistency in styles.

Most type families increase the weight of each character to expand the family. Instead, research into 17th century sources produced Temeraire’s wide range of letterforms, from the predictable to the odd and loosely related through time. Each style is designed to work alongside the others but are also standalone homages to specific parts of English lettering tradition: gravestone cutting, writing masters’ copperplates, Italiennes, and others.

Temeraire’s Regular style is a contrast-loving Transitional Serif with vertical stress, making it great for period and classic works, ironic pieces, and modern throwbacks. The weight of the Bold squares off the ends of each glyph to give it stability, and the italic style rings true: flowing, contrasting, and purposefully inconsistent.

Temeraire’s Display Black style is one salvaged from expressive gravestone artistry. The details most easily noticed are the ‘g’ with its descending bowl that has been pressed back up in the centre, and the additional serif on the ‘t’ crossbar that holds its neighbouring character at bay. (The ‘g’ and ‘Q’ have loopless alternates.) The final style is the Italienne, the horizontally stressed counterpoint to the family. By design its characters flow and bend in ways not in step with the rest of the family. All the weight has been pushed to either hemisphere within each glyph, resulting in a display style that demands space and peacefulness around it so its presence can impress.

As with all TypeTogether families, Temeraire meets the current designer’s needs. Not only does its five styles shine in print work, it includes alternates for when the defaults are too boisterous and has been expertly crafted for screens. The Temeraire serif font family is resurrected from echoes in time and finds its family relation through impeccable taste.

Sunbird is a happy, rounded, cartoonish font family. It comes in three weights: regular, medium and black - each with its very own Italic style. Sunbird is quite versatile: it looks good as a display font, but setting a (short) text in it could work as well. Its versatility makes Sunbird an ideal font for product packaging and posters.

Halau is a clear, elegant and fun upright font for sunny Spring/Summer projects. More fun & sun for your typo- design! I really love this Retro Cartoon style in the 60s and 70s advertising or Hawaii style posters. Combine different width/styles for outstanding typography designs. Some alternates (A, E, K, R, Y, a, g, l, k) will give you more interesting result for your project. Also, you get Hawaii style illustrations set as letters and numerals alternates (36 Total).

It’s here! Lumbering down the grassy slope towards us, the lovable round sans serif of KNICKNACK. It’s warm, it’s smooth, it’s round and it’s fuzzy.

It’s perfect for display use, print, posters, branding, packaging or kids friendly apps and web!

KNICKNACK is a typeface that will put a smile on your face. It features 2 styles, regular and fuzzy and comes in at least 5 weights. At least?! Yes, at least. If you use the variable font file of KNICKNACK you can control the weight of the font with a slider. Works in Adobe Photoshop CC 2018 and Adobe Illustrator CC 2018.

The other day I discovered that, regrettably, I no longer am a Spring Chicken. Time flies when you’re making fonts…
So, after I recovered from that shock, I created this font and called it Spring Chicken!
Spring Chicken is a handmade cartoon-ish, script-ish, dunno-how-to-label-it-ish font.

Use it and be rad.

Chendolle is a bold display font, it has a fun and cute style and is perfect for creating playful kids designs.

Kiperman is a text typeface designed in honor of Henrique Leão Kiperman, founder of the publishing house Artmed, now Grupo A.
Its forms are simple and straightforward, with no unnecessary embellishments that could disturb the reading. The fonts are slightly narrower than normal, which yields higher efficiency without compromising reading comfort. Besides that, its italics are not just a slanted version of the romans, but rather a separate drawing. With a slope of 8°, its calligraphic structure provides the right amount of emphasis when necessary. The Kiperman typeface works best when setting books, magazines, ebooks and websites. It will also work very well in branding and packaging projects where a sober typeface is needed.
The inspiration for the design came from the personality of the honoree. Just as Henrique always wanted to stay away from spotlights, the Kiperman typeface was designed so that it would not call attention to itself or impose any obstacles in the understanding of the text. In this way, the fonts revere Henrique’s legacy by respecting and honoring the published content.
Henrique Leão Kiperman began his career in 1958, selling medical books in travels through the interior of the Brazilian states of Paraná and Santa Catarina. In 1973, he opened a bookstore in downtown Porto Alegre, the Artes Médicas Sul, and a few years later edited his first book. Since then, his company has grown to become one of the most important publishers in Brazil in the area of scientific, technical and professional books, with more than 2400 active titles distributed among the McGraw Hill, Bookman, Artmed, Penso and Artes Médicas imprints. Henrique passed away in 2017 at the age of 79. The Kiperman type family has been commissioned by Grupo A and is available for licensing. This was the way found for the fonts to be read by more people, spreading some of his spirit around the world.

US Blaak is an interpretation of a Modern-Classic typeface with a beautiful and strong impressions for editorial design. The sharp serif combined with curves gives US Blaak a fabulous, glamorous and bold look and at the same time doesn't sacrify the functionality.
The design is intended for short to medium length texts as well as display use.

Modal Stencil is the counterpart of “Modal”. It also comes with 15 fonts in 5 weights and 3 styles, each font covering around 800 glyphs. You can switch between Stencil and Normal without any changes in spacing or proportion. As a stencil type family, it offers an additional tool to create distinct designs in branding, editorial or web.

Modal is a sans serif type family intended for corporate, editorial and web design. It comes with 15 fonts in 5 weights and 3 styles: normal (upright), italic (right) and back italic (left). Each weight comes with around 800 glyphs and supports a large variety of and features such as ligatures, small caps, figure sets, case sensitive glyphs and so on. With its two italics, Modal offers new possibilities for designers and creates an additional tool for distinct typography.

As most successful German private press, «Bremer Presse» has strongly influenced German book art. It was founded 1911 in Bremen to print and produce books in perfection. The role model of the press’ typeface was the english Doves Press. Willy Wiegand drew three versions of the «Bremer Presse» antiqua font, starting with the regular weight in 16 pt and adding later the regular weights in 11 and 12 pt. The revival of this beautiful font is based on the 12 pt weight. During the design process, the focus was laid on finding the elegance and strength of original prints. As it was designed to print books, the typeface is optimally used for texts. And with the revival’s new weights «medium» and «bold» and OpenType features like ligatures or old style figures, you can design sophisticatedly typographical compositions.