Bianca Langridge

TT Supermolot Neue is a redesigned, extended and greatly enhanced reincarnation of the popular TT Supermolot and TT Supermolot Condensed font families. During its existence, the hammers (‘molot’ in Russian) managed to get into the spotlight in a huge number of projects, for example, in popular video games, films, and branding. Despite its popularity, the limited composition of old families put boundaries their development, which prompted us to release a completely redesigned and greatly extended version. And while the old families could offer designers only a limited number of tools, in the new version you can already find 54 fonts, and each individual font now consists of more than 620 glyphs.

First, we have added a completely new subfamily, TT Supermolot Neue Extended. But this is only the tip of the iceberg—in order to achieve visual harmony between the three subfamilies, we completely revised the distribution of widths among them. As a result of this work, the width of the TT Supermolot Neue Normal subfamily became a bit narrower, and the width of the TT Supermolot Neue Condensed subfamily became even narrower than it was in the old version. Secondly, we’ve increased the number of weights. While in the old versions there were only 5 weights, in the new ones there are 9 in each of the subfamilies.

In addition, we gave a facelift to the lowercase and uppercase letters. In TT Supermolot Neue, the design of all controversial grapheme forms was soothed and now the family can also be used in the text set. We have completely redrawn italics. It took us half a year to compensate for all the circles, to transform italic strokes, to work out the position of the diacritics, to make right the spacing, and to finish kerning.

Following a good tradition, in the TT Supermolot Neue extensive support for useful OpenType features was added, and hinting was also improved. If we talk about visual features, we recommend paying closer attention to two stylistic sets: the first set (ss01) is designed to make the typeface more humanist, and when you turn on the second set (ss02), the typeface becomes even more technological. In addition, the typeface has more than 26 items of standard and discretionary ligatures. We also have not forgotten about the figures and we added a set of old-style figures to the standard version. In addition, the typeface has case, ordn, frac, sups, sinf, numr, dnom, onum, tnum, lnum, pnum, calt, liga, dlig, salt, ss01, ss02.

Rough and ready artisanal lettering for your fair trade coffee shop, whiskey microbrewery or Victorian bill-poster — or, alternatively, distressed type for the cover of a hard-hitting novel set in a war zone.
Fairtrade uses opentype technology to cycle through three versions of each character, giving an authentically uneven time-worn appearance.

The BF Rotwang™ Pro is a contemporary new edition and re-design of an formerly design by Guido Schneider.

Named after the C.L. Rotwang, the inventor of the Mensch-Maschine from the film Metropolis (1925/1926), BF Rotwang plays with the character traits of high-contrast transitional serif typefaces and Didone-style typefaces.
BF Rotwang is a typeface characterized by balanced elegance. It is sensitive, sophisticated and self-confident, but unobtrusive. The heavy weights have the power and dynamic for strong headlines and exciting logotypes, the lighter cuts the elegance and lightness for use in continuous text. All letters and characters are a touch condensed, so the typeface looks compact and works space-saving.

The family comes with 7 weights plus matching Italics. Each font consists of more than 1.220 glyphs, featuring a wide range of alternate characters, SmallCpas and opentype features like discretionary ligatures, case sensitive shapes, different number sets and many more!
BF Rotwang™ Pro supports up to 200 Latin-based languages. Each of the 14 fonts contains more than 1.220 glyphs, featuring a wide range of alternate characters, small caps, figure sets, fractions, more than 35 ligatures, many currency symbols, special characters and other useful symbols. The style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling.

Visiting the end of 2018, we launched “Controwell Victorian Typeface” which adheres to Serif and Script style.
Controwell Regular has 2 layers that give a cool metal effect. Besides that, there are many alternative character choices that suit your taste.
This charming Controwell Script is very well suited combined with Controwell Serif Regular. the elegant and unique impression looks very hard. just like the serif font, this script also has many alternative character choices, up to “SS10” and 600 glyphs.

You create designs with modern Victorian themes or classically themed themes that are suitable for collecting Controwell Victorian Typeface, in addition to many choices of your character is also very easy to use. just choose and change some characters, the design that you design is ready to be printed or published on social media.

This font is very suitable for logotype design, packaging design, beer design, vodka, whiskey label, poster design, victorian book cover and design.

A crazy crayon font with sweet attitude - multilingual and fresh!

Aston Script is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Aston Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose.

Aston Script has 650+ glyphs and 399 alternative characters, including various language support. With OpenType features with alternative styles and elegant ligatures. The OpenType feature does not work automatically, but you can access it manually and for the best results needed for your creativity in combining this Glyph variation.

Simple, legible and yet quite funky!
Every letter has 5 different versions, which automatically cycles as you type!

Extenda was designed by Francesco Canovaro and Andrea Tartarelli.

Desperate Joke is a handmade, kind of grungy, brush font with loads and loads of attitude. Every letter has 7 different versions, and by using the contextual alternates, they automatically cycle as you type!

Holden is a typeface family designed in 2018 for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli as a research in texture and extreme weight range.

Its curvy shapes, inspired by pointed brush aesthetics, are developed in six different weights, from the lightly contrasted thin to the fluid and rhythmic fat. The lightest weights are mostly designed for text usage, while the heavier weights work better at display sizes, where the extreme shapes and tight counter-spaces are better appreciated.

Holden aims to fill the space between display and text typeface, with a range of variants that allows maximum expression in display use and great legibility in long texts, on the web and at small size. It’s designed for editorial or packaging use where a contrasting range of weights and variants is required to fight monotony while keeping branding consistent.

All Holden fonts include full open type features with stylistic alternates, small caps, discretionary ligatures, positional number forms, swash forms (in italics) and full language coverage for +70 languages using latin alphabet.

An array of extra decorative dingbats are included to complement your design with pointing manicules and fleurons (also called “horticultural dingbats” by Robert Bringhurst in The Elements of Typographic Style).

Neuropa is a five-weight semi-extended sans that projects a muscular corporate authority. The bowls of the rounded characters use an ‘obround’ form, and the apexes of the A and V and the uprights on the D and E are curved to suggest a sleek modernity.

Need a font for your headlines? Go for Chargeback!